WXPN Welcomes

The Mavericks & Friends

The Music Lives On

The Mavericks
Saturday, August 29
Doors: 7 pm // Show: 8 pm

The Mavericks & Friends
The Music Lives On
A ‘WXPN Welcomes’ Event

For three decades, The Mavericks carved out their Grammy-winning sound — a multicultural version of American roots music, blending stateside influences like country and rock & roll with the border-crossing textures of Cuban grooves, Tex-Mex twang, and Latin swagger — under the direction of Raul Malo. Raul wasn’t just the band’s frontman; he was its larger-than-life patriarch, with a booming baritone hailed by Rolling Stone as “operatic, spiritual, casually elegant, and wholly captivating.” With help from musicians like Paul Deakin, Robert Reynolds, Eddie Perez, and Jerry Dale McFadden, Malo turned The Mavericks into modern-day legends on their own terms, enjoying mainstream success during the 1990s (when songs like “All You Ever Do Is Bring Me Down” became staples on country radio) before reinventing themselves as genre-bending independents during the 2010s and beyond.

“Raul was one of those fine-wine singers,” says Deakin, who co-founded the band in 1989 in Miami, Florida. “His voice was ridiculously powerful when we first started, and it just got better with age.”

A battle with cancer forced Raul off the road in 2025, but his musical influence remained. During his final hours on earth, he watched from afar as his bandmates played the Ryman Auditorium, honoring the man and his melodies with help from guest singers, family members, and a sold-out crowd. This was more than a concert; it was a celebration of the legacy the Mavericks had built together, highlighting the staying power of lifelong friendships and great songs. “Raul used to tell me that every time we released new music, it didn’t belong to us anymore; it belonged to the fans,” remembers Perez, whose guitar playing became an integral part of The Mavericks’ sound during their 21st century reunion. “To me, the band has always transcended the people in it. It’s more about the feeling, the vibe, and the high-energy entertainment we give people. We want to continue giving that spirit to our fans.”

Great songs endure, even when their original vocalists are no longer here to sing them. There’s no replacing a once-in-a-generation talent like Raul Malo, but there is a way to honor the music he left behind. That’s why The Mavericks are returning to the road, performing classics like “Come Unto Me,” “Back In Your Arms Again,” and “As Long As There’s Loving Tonight” for the fans who helped make those songs legendary. Presented as “The Mavericks & Friends,” these all-star shows will feature a decade-spanning version of the band, along with guest singers like Emily West and James Otto.

“It’s not just a continuation of The Mavericks; it’s a moving musical art piece, from one show to the next,” Perez explains. “James and Emily can sing these songs with passion, spirit, and energy, because they love this music as much as we do. We might have different guests join us throughout the tour. People who love these songs just as much as we do. Maybe we’ll have a soul singer one night. Maybe we’ll get somebody from the rockabilly scene. Each show in each city will be different, and that’s part of the adventure.”

That adventure has brought different eras of the band together. After a 10 year absence, bass player Robert Reynolds is back in the lineup — a move that not only restores the group’s original rhythm section, but helps bridge the gap between past and present, too. “In this incarnation of The Mavericks, we can celebrate across a wide arc of the band’s music,” Reynolds says. “We can honor Raul by looking at all the songs he wrote, including the early ones. It all becomes relevant again — and for the fans, this is a chance to see a full retrospective that cuts across the entire catalog.”

“Raul would always write our setlist, and it would be different every night,” remembers Jerry Dale McFadden, the band’s keyboardist since 1994. “We have a lot of material to choose from. We released 8 records during the past 13 years alone, and that means our shows can all be a little different. They always have been.”

The world looks different than it did in 1989, when The Mavericks launched their career in the punk bars and rock clubs of Miami. Decades have passed and trends have shifted, but The Mavericks have endured. Now, they’ve found a new path forward as The Mavericks & Friends, honoring their beloved Raul Malo while building upon the legacy he helped create.


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The genre-defying Mavericks are declaring their independence and stepping out on their own with Brand New Day, the first studio album released on Mono  Mundo Recordings, the label they founded in 2016. Brand New Day is the follow-up to the widely praised albums Mono (2015) and In Time (2013).\n
Flashing the same exhilarating, beyond-category style that has defined the Mavericks, the new album introduces a collection of taut, energetic, economical songs sure to be embraced by both original fans of their top-10 albums and hit singles of the ‘90s and a new generation of listeners who have joined the party since their triumphant 2012 reunion. It is the mature and timely work of an  exciting and underestimated American band that has embraced its own destiny.\n
“This is the first studio record on our own label, and it is an important component in the band’s history,” Malo says, “but the real goal was just to make a great record.”\n
The new collection – co-produced like its immediate predecessors by the band’s golden-voiced singer Raul Malo and Niko Bolas (Neil Young, Warren Zevon, Melissa Etheridge), who is partnered with the band in the new Mono Mundo imprint – features the core members of the group since their reformation: Malo, drummer Paul Deakin, guitarist Eddie Perez, and keyboardist Jerry Dale McFadden, along with auxiliary members “the Fantastic Four” filling out the set’s brawny sound with their signature accordion and horns.\n
Free and truly independent for the first time in their career, the Mavericks were able to write and record without watching the clock. The process began in 2015 with a session at Capitol Studios in Hollywood, where the band cut two new songs by Malo and songwriting partner Alan Miller. Further writing and studio dates continued in Nashville amid a busy touring schedule over the course of the next year.\n
Deakin says, “It was different than going in and recording a record in five or six days. I don’t think it would have happened if we hadn’t taken over so many aspects of our business – we’ve become more and more autonomous with every aspect of it, from the management to the record label. It’s a very empowering and very exciting time for us to be doing this. It makes us feel like you can do anything that you want, and I think that comes through.”\n
Malo adds, “My thinking is always that you can make the best record you can make if you really labor over the parts, the editing, the songs, take your time. I wanted to specifically get to the point where you’re trimming the fat off the songs and making as succinct and as concise a good little pop record as you can make. That was really the goal.”\n
The album contains a diverse selection of originals that show off the Mavericks’ always multi-faceted musical personality, including the boldly upbeat title song, the tejano/bluegrass flavored “Rolling Along”, the intensely romantic “Goodnight Waltz,” the blues-fueled “Ride With Me,” and the thematically pointed “Easy As It Seems” and “Damned (If You Do).”\n
Brand New Day flexes the category-defying approach that has been a unique hallmark of the Mavericks’ sound since the band’s top-20 hits on the country charts. The album’s 10 new songs seamlessly merge strains of Tex-Mex, Cuban bolero, R&B, blues, country, and rock ‘n’ roll.\n
“I came up with a new category called ‘non-gen’,” Deakin says with a laugh. “We don't seem to operate with many preconceived parameters. Raul’s writing, which in my opinion...keeps getting better every time we go back in the studio, doesn’t limit us to any one format. It’s a band of audiophiles. Honestly, before we go on stage and after we get off stage, we’re listening to music from every imaginal genre. I think that appreciation of all music naturally comes through when we make records."\n
Malo says that one of his early inspirations, a fondly remembered 1960 pop aria by Elvis Presley, not only continues to drive his vision of the Mavericks’ music,  but also helped define the process of creating the unit’s first studio release on their own.\n
“My whole life, I’ve been wanting to write ‘It’s Now or Never’,” Malo says. “That was the record for me when I was a kid. That just blew my mind. It connected all these worlds musically, opera, pop, rock ‘n’ roll, R&B. It connected everything for me. The inspiration here was writing that kind of song, making that kind of  record.’\n
Malo sees the expansive music on Brand New Day not merely as an expression of his personal roots, but also as a nod to the richness of their artistic sources.\n
He says, “I live in Nashville, but I’m still as Cuban as if I was in Miami. But American music is such a beautiful landscape, and there are so many things to draw from. As a Latino, you’re trying to assimilate into this culture, and you’re taking it all in, and some of it grabs you by the throat and you can’t let go of it. All of it is part of your vocabulary. It’s all Americana, and now more than ever those differences, and that inclusion, need to be celebrated and need to be talked about.”
James Allen Otto (born July 29, 1973) is an American country music artist who is a member of the MuzikMafia, a group of country musicians known for their "country music without prejudice". Otto began his career on Mercury Nashville Records in 2002, charting three minor singles on the Billboard Hot Country Songs charts and recording his debut album Days of Our Lives for the label before being dropped in 2004.

In late 2007, he signed to Warner Bros. Records. His second album, Sunset Man, was released in April 2008. It was produced by John Rich (of Big & Rich) and Jay DeMarcus (of Rascal Flatts), the latter of whom is Otto's brother-in-law. The lead-off single to Sunset Man, "Just Got Started Lovin' You", became Otto's first Number One hit, as well as the Number One country single of 2008 according to Billboard.

Otto released a new single, "Since You Brought It Up", in April 2009. It peaked at number 37, and did not appear on a studio album. The song was followed by "Groovy Little Summer Song" in early 2010. It reached the Top 30 and served as the lead-off single from Otto's third album, Shake What God Gave Ya, which was produced by Paul Worley and was released on September 14, 2010. The album's second single, "Soldiers & Jesus," was released to country radio on September 7, 2010, and reached a peak of number 34. In March 2011, Otto announced on his Twitter that he had exited Warner Bros. Records.

Otto also performed backing vocals on the original album cut of the song "Chicken & Biscuits", performed by country rap artist Colt Ford on his 2010 album of the same name. The single version, however, features Rhean Boyer of Carolina Rain in place of Otto singing on backup. Otto also co-wrote Zac Brown Band's 2012 single "No Hurry".
Known for her powerhouse voice and dazzling artistry, West captivates an audience with her unique blend of witty charm, ethereal vulnerability, and purposeful conviction. Whether singing about love, loss, or lewdness, she summons emotion with surgical skill, using her prodigious gift as a singer and her innate charisma to convey the entire spectrum of human experience...

Emily West is a singer, songwriter, and top 40 performer who defies categorization. At the age of 18 the Waterloo, Iowa native moved to Nashville and signed with Capitol Records. The release of “Rocks in Your Shoes,” landed in the top 40 on Billboard's Hot Country charts. Her duet with Keith Urban, “Blue Sky,” likewise found a home in the top 40, met with critical praise, and was nominated for the Academy of Country Music Awards’ vocal event of the year in 2008. In an effort to broaden her horizons and fulfill a lifelong dream, West moved to New York city in 2013. It was there that she decided, on a whim, to audition for season 9 of America's Got Talent. The show saw her rise as it's immensely popular runner up. Her cover of Sia's "Chandelier" took her to new heights, as well as performing the live finale with Cyndi Lauper in front of 12 million tv viewers. Following her success on the show, she signed with Sony Masterworks and released her debut album “All For You,” which showcases her wide range and effortless command of various musical idioms.

Emily's current EP "Symphonies" is available on itunes and all streaming platforms now.

Purchase here: https://itunes.apple.com/us/album/symphonies-ep/id1264449001